tag:blogger.com,1999:blog-6058072377999486184.post68406245895023320..comments2023-12-29T18:13:21.495-06:00Comments on pink scare: My alter ego did it: letting Eminem off the hookUnknownnoreply@blogger.comBlogger1125tag:blogger.com,1999:blog-6058072377999486184.post-23371436807219724662009-07-22T04:10:24.216-05:002009-07-22T04:10:24.216-05:00I don't know what the post-Slim Shady LP accep...I don't know what the post-Slim Shady LP acceptance of Eminem's music says about our society, "pink scare", though I do know that a) the same vitriolic descriptions can be found in two-century old Roman poetry, annihilating the Marxian argument that contemporary misogyny relates to patriarchial industry, and that b) frustration towards the opposite sex is featured prominently in both the music of men and women. Remember the controversy surrounding that Dixie Chicks song, "Goodbye Earl", in which two women team up to murder an abusive spouse? Eminem's songs aren't that different: he views, say, Kim, as excessively manipulative, and thusly lashes out against her physically. Nonetheless, both conceits have subtext, and it'd be damnfool to dismiss them on the basis of prudishness alone.<br /><br />Of course, the ways in which men and women express their rage towards the opposite sex in song will vary, as surely as genderized social protocol does (with women, more likely Madonna's "a man can tell a thousand lies", for example - and you can't blame that on artists). In this sense, it's unsurprising that Eminem - having emerged from Detroit hip-hop culture - makes allusions to physical abuse, but here's the clincher: the songs always represented a sort of delusory catharsis, noted deliberately by Eminem as being a replacement for actualized abuse. That he may have committed the crime of co-opting African-American expressivenes, whilst being a white person, is not necessarily a good reason to criticize him: indeed, when he rhymes that his detractors act like he's the "first rapper to grab a bitch and say faggot", you can bet he knows that being white makes him an attractive target for groups that seek to align art with their particular worldview via protest, including feminists.<br /><br />It's ironic to note that the emotiveness of Eminem's music is largely borrowed from African-American culture, since said culture is - moreso than Caucasian - often something approaching a matriarchy, due to the pervasity of single-mother Black famillies (one notes that routine studies specify African-American women as less insecure than Caucasian ones). This seems to bait the question: are extreme expressions in music, whether anti-male or female, even a remotely precise indicator of the level of equality in the societies in which that music is created? Certainly Catullus' poetry, for example, is profusely misogynistic - as well as that of many Roman poets - and yet women played arguably a much larger role in Roman social and religious culture than they do in American; a fact that might suggestive political correctness is a bridge to nowhere.<br /><br />The anger in rap music, it's no revelation to relate, is largely fueled by social injustice. Why, then, criticize Eminem for emulating the sentiments of an already-existent genre, and typically in a way that's vaguely moralistic, when there are myriad individuals in society that are actually impeding equality, and doing so in a way that's not a tenth as self-aware?Konradnoreply@blogger.com