"All you see is... crime in the city"

Unlike previous generations of Americans, the vast majority of the children of baby-boomers have come of age in a social environment outside of urban centers. We must, however, be more specific here: the vast majority of white Americans (particularly middle class and wealthier) born in the postwar era have been socialized and formed by the Suburban social and political landscape. There are of course a handful of small exceptions (e.g. the Upper East Side, etc.).

By and large, however, the majority of Americans under the age of 40 are products not of urban life, but of a suburban social environment which itself only emerged and congealed in the 1950s.

There are, of course, millions of interesting insights to be gleamed from this fact, but I'll just focus on one here: large numbers of Americans are afraid of cities as such.

This fear manifests itself in many different ways, but it typically assumes a form something like the following. Cities are dark, crowded, dangerous places where one must always be on the lookout for the inevitable attack. The people there (most of whom, it is imagined, are criminals and of color) are mean, resentful and certainly not to be trusted. Moreover, city-dwellers are looking just for people like you, that is, people who are not from the city and fear its squalor and iniquity. They're looking for you, of course, in order to rob and ruffle your suburban purity. Watch out.

This phobia is homologous to (and deeply bound up with) common views about black people in the contemporary US. As political philosopher Tommie Shelby describes it, "in the present post-industrial phase of capitalist development, blacks are often viewed as parasitic, angry, ungrateful, and dangerous" (whereas they'd been characterized as "docile, superstitious, easily satisfied, and servile" under the conditions of plantation slavery). Witness, also, the way in which the term "urban" itself has become racialized and devalued on that basis.

There are countless examples. A good starting place for analyzing this phenomenon is film. From my armchair, it seems as though the depiction of urban areas and so-called "inner cities" in particular, takes an increasingly negative turn from the 1950s/60s onwards (whereas the positive evaluation of the single-family home, the automobile, etc. seems to soar). Things seemed to have changed a bit in the 1990s with the return of many affluent white people to urban centers. But films from the late 1970s and 80s especially (when major US cities were at rock bottom all across the board) depict the city as a dirty, crime-infested den of violence and darkness. This is typically contrasted with the (apparently) idyllic, whitewashed landscape of suburbia. Such a gaze is always from the outside (suburbia) looking in (toward urban areas). Blue Velvet plays off of this phenomenon in really interesting ways, but I can't go into that right now. (Nor can I go into the political economy of why suburbs emerged and why cities went into severe decline in the middle of the 20th century in the US).

One cinematic example from my childhood stands out: the 1983 Tom Cruise film Risky Business. (Or also from 1983, see this). The entire film is an expression of the gaze of the adolescent, white male child of the suburban well-to-do on the North Shore. The film creates clear demarcations between a suburban land of paternal law, purity, cleanliness, conventionally-defined success, norms of chivalry, etc. on the one hand, and an urban landscape characterized by raw sexual "deviance", iniquity, and crime on the other. "Home" is a massive single-family house in Glencoe whereas the problems Joel faces are all to be found in the land of pimps, drugs, and violence: Chicago.

Film and TV, of course, are only two "ideological state apparatuses" involved in socialization and the creation of people for whom the city is a place unfit for those with "family values". There are doubtless many other examples.